Subscribe by Email

SAH Journal Vol 3 No 2

I have two new poems made of fragments from unauthored commentary on media articles relating to 1/ terrorism and 2/ refugees in the latest issue of SAH Journal.

Studies in Arts and Humanities (SAH) is an open-access magazine published both in print and online, based in the library at Dublin Business School. It is an interdisciplinary academic collaboration whose concern is with social, political and cultural practices in the context of mapping transformations in contemporary society. SAH’s contributors oppose forging disciplinary limits in an attempt to establish experimental spaces for critical dialogue.

Vol 3 No 2 of SAH Journal focuses on the theme of 'Minorities'. It also includes poetry from Nithy Kasa, Jennifer Matthews and Nita Mishra, as well as articles on endangered languages, Māori rights in New Zealand, the Roma and Irish Travelling communities, and more.

My thanks to Patrick Chapman for the invitation to contribute to the issue.

Comments

Post a Comment

Popular posts from this blog

The Sound and Poetry of Ireland's Housing Data

Join us on Tuesday 23 April 2024 in the Recital Hall at Technological University (TU) Dublin Conservatoire for the premiere of a new work - a sonic-poetic treatment of Ireland's housing data composed and performed in collaboration with David Bremner (piano) and Larissa O'Grady (violin). Produced and curated by David Bremner, and supported by the Arts Council of Ireland, this project has been in development over several months during which David, Larissa and I engaged in regular generative sessions where we gathered, sifted, discussed, and crunched vast amounts of data - numerical and linguistic - from a wide range of sources including the Central Statistics Office, Council meetings and Dáil sessions, public testimonies and media reports, The Central Bank, Global Property Guides, and more, on the causes and effects of the severe housing crisis in Ireland. We then converted these data points directly to a multi-movement work for violin, piano, and text, through which patterns r
Read more

'Capital' at Irish Museum of Modern Art

On Saturday 5 September I will present a new long poem with title 'Capital' at the Irish Museum of Modern Art (IMMA). This is part of a programme of events for The People's Pavilion installation, a public outdoor space located on the museum's front lawn where people can meet safely in specially designed social distancing circles. From the event description: 'Capital' is a polyphonic poem composed of fragments of text from unattributed reviews of establishments on Talbot Street, publicly available on Google Maps. It has its roots in Makris’s longstanding interest in the shifts in language use, communication and identity brought about by digital media, and their implication on poetic discourse. The poem maps the street through the kind of public-private writing prevalent online (the reviews often stray into personal anecdote). Its documentary and fragmentary nature also responds to the early post-Covid conditions, our toggling between 'real' and online g
Read more

It Reeks of Radio: the launch / the exhibition / early responses / a reading for Joseph M Hassett

The Old Physics Theatre at Museum of Literature Ireland (MoLI) was nicely full for the launch of my fifth book of poetry  It Reeks of Radio  (BLR Editions)  on 26 September 2023, where I was in public conversation with this year's UCD / Arts Council of Ireland Writer in Residence, Victoria Kennefick. It was lovely to see many old and new friends and colleagues attend what was a lunchtime event on a weekday. Victoria's astute reading of the book, her skillful hosting of the conversation and her probing questions facilitated a dive into several of the strands explored in the book. I was happy to read excerpts and respond to questions from the audience. photo: Nessa O'Mahony The following day, a 14-panel exhibition that visually contextualises the book and overall project was installed on the walls of Newman Building (Arts Building) at University College Dublin. The exhibition was proposed and managed by Emer Beesley, Marketing And Communications Manager at UCD College of Arts
Read more